We have consulted with experts in human rights, reconciliation and psychology to ensure these lessons promote emotional safety and cultural awareness. Explores how societal values are shaped and investigates the concepts of equity, equality and inclusion as they relate to Aboriginal and Torres Strait Islander peoples. H\]0+r9s1Mr`na>aVPxH9y^vFujf}:seVM[RY.tqxUs=,14ahz9pQjTM8F{u *M\o[6WuE?K2]Oj(tAIz"]3Cshm[SvYam bgYBv4P !f@sA[h5iiW 4$,I$apw9e:N\Y4||fEp1.3 gi.i4,,,9t:y.#;Gv(9Zt$i5DV90a$IY ~?'y?{}RG}xqLtcYUz~ 3l% endstream endobj 312 0 obj <> endobj 313 0 obj <>stream In the final three years of his playing career he became a lightning rod for a heated public debate and widespread media commentary that divided the nation. They protect and promote human rights in Australia and internationally. Below we've listed down some of the most widely-used cinematography techniques that can help dictate how your audience should feel about your scene, as well as how they will interpret it. Uncomfortable, too, in the middle of a media storm he never saw coming, and which seems never to abate. -EpDLYA~cORC#YRK-mhzioMK3mTm5S,^OphMQ#mxuGZck{u?z],l^lmQ2U[++e8)i,lIca4aC]FSx. 0000006599 00000 n HBO, Lily-Rose Depp Deny On-Set Turmoil on The Idol, Iron Fists and Kung Fu Kicks: Film Review, Queer Japan: Film Review | Outfest 2019, 'Stranger Things' Stage Play Set for London Debut, Viagra Trial Drama 'Men Up' Coming to BBC From Russell T. Davies, 'Industry' Writer, 'It's a Sin' Producer, How Judd Hirsch Made the Most of Short Fabelmans Screen Time, and Nabbed an Oscar Nom to Boot, Ana de Armas on the Polarizing Views on Blonde: It Was Not Made to Please People, All Quiet on the Western Front, Elvis, Empire of Light Cinematographers on Their Oscar-Nominated Work: The Camera Had to Be Dancing, Boulder International Film Festival: F. 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His response strives to acknowledge the hurt inflicted on Aboriginal peoples without sounding ungrateful for the honor just bestowed upon him, and its the futility of his efforts to tread this line between calling a spade a spade and conciliation that gives his media encounters their sense of discomfort, and of poignancy. Retrieved fromhttps://thefinalquarterfilm.com.au/about/. 0000003937 00000 n We want all Australians to feel they belong and that they have a stake in the game. 0000067425 00000 n There were always people who argued that Goodes was not a victim of racism just a King Kong reference here and an ape joke there, set to the soundtrack of thousands of punters booing from the stands. In developing the lessons it was critical that we had the input of a psychologist and expert groups to ensure these lessons promote emotional safety and cultural awareness. Cool celebrates the world's oldest living culture and acknowledges that sovereignty was never ceded. It begins in 2013 when Goodes, at that point a veteran of the game, singled out an opposing teams supporter for calling him an ape during a match. It's written by acclaimed journalist Stan Grant, and will open the Melbourne International Film Festival before hitting theatres around the country. %PDF-1.4 % He publicly called out racism, was named Australian of the Year, was accused of staging for free kicks, and performed an on-field war dance celebration. subsequently exacerbated the situation by suggesting, in an on-air interview, that Goodes be used to promote the forthcoming stage musicalKing Kong. The Final Quarter takes a confronting look at the controversies that marred the Sydney star's exit from the game and is an opportunity to reconsider what happened on and off the football field. Goodess role in attempting to make Australia a more educated and tolerant country will be remembered long after all the marks, kicks, and tackles have been forgotten. Tracy works closely with parents and teachers to support young people with issues such as anxiety, learning needs, depression, confidence, and behavioural challenges. Read for more details. Our Watching the Film lessons are designed to support you in facilitating this process. Teachers are advised to use their discretion when deciding whether to show this film. ay back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. We acknowledge the Gadigal people of the Eora Nation as the traditional custodians of the land on which we work and we pay our respects to ancestors and Elders, past and present. The AFL Players Associations Indigenous Advisory Committee also issued a statement, and there was an outpouring of emotion from the Indigenous players who called for all to fight against racism. This requires planning among multiple teachers and across specialist streams. Producers: Mary Macrae, Ian Darling They evaluate how social, institutional and ethical issues influence the making and use of media artworks. Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. Considers how the media influences audience perspectives through the use of language and point of view. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period, and places it in a wider historical context. how technical and symbolic codes are used by the director of. 299 48 The cheers became boos as football crowds turned on him. [27], Darling also announced that the film will be made freely available to schools and clubs across Australia. Won numerous awards, including the Film Critics Circle of Australia Best Feature Documentary 2019 Winner, AACTA Award for Best Editing in a Documentary 2019 Winner, Asian Academy Creative Awards Best Documentary 2019 Winner, Had a total of four screenings on Network Ten and WIN to over one million audiences across the broadcast and 10Play Catch Up. Sorry, we have distributed all our DVDs to schools andclubs! From 2013, Sydney Swans footballer Adam Goodes went from being a champion footballer, an outstanding Indigenous leader and the 2014 Australian of the Year, to being booed and taunted by fans at stadiums across the nation. Goodes himself recedes as the film goes on and the media barrage continues. Third party web links are provided for your convenience only. Director Ian Darling's documentary The Final Quarter provides a confronting, comprehensive recap of the shameful events that saw Adam Goodes booed into retirement. Investigates the archival documentary technique used in. Where to start: Watching the Film Years 5 to 12, Exposing Truth. Goodes himself was not interviewed for the documentary, although he was consulted and gave permission for it to go ahead. Whether tearing up football fields across during his 372-game stint for the Sydney Swans, or standing up against prejudice both in the AFL and in Australian in general, Adam Goodes' name has been splashed across the headlines plenty of times over the past two decades. 0000103450 00000 n Registration is fast and free. Available free with ClickVIew subscription at the film website www.thefinalquarterfilm.com.au. 0000001984 00000 n 'The Final Quarter' compiles a selection of opinions from cultural commentators at the time (like Andrew Bolt, Miranda Devine, and Rita Panahi), who present the most common arguments for why people were booing Goodes. The documentary intertwines media clips from Goodes' games, general AFL coverage, news stories, press conferences and interviews from the era to paint a heartbreaking picture of the ex-Swans captain's experiences. But there is one key figure who is conspicuous by his complete absence. 0000001825 00000 n Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. [28], The documentary was widely praised by critics. Explores the power and influence of the Australian media and its responsibilities, including the broader publics engagement with social media. Darling presents a self-consciously larrikin culture in which the right to provoke is sacrosanct, and perceived pomposity is eagerly sniffed out. Critic Reviews for The Final Quarter. On this Wikipedia the language links are at the top of the page across from the article title. [7], Over the following years, and particularly in 2015, Goodes was repeatedly and loudly booed by opposition fans at most matches. Director's Statement. on Mornings with Stephen Ferris was honoured to host Yvonne Sampson of Fox Sports League, and Ian Darling the director of The Final Quarter, a documentary chronicling of the last years of AFL star Adam Goodes' career.. Students explore the way mood and message is created for the audience by the editor and director. Lighting Costume and make-up Staging/blocking: movements and performance Note: Mise en scene is independent of the camera work or editing. Goodes himself clearly believes this, and his ongoing presence in the film (which he supports but was not involved in) is a balm to the rash of madness around him. Explores injustices faced by Aboriginal and Torres Strait Islander peoples, their rights and the continuing journey towards reconciliation. Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. This is what was heard. H\Mj0>3ML(d F68*-g[v2wc S uUlqh\2opzqoMpgH*h8^vC.)>PzqC42DYQH_>atwmU#y{m}|,6L |,,BG Despite much of the material being confronting, The Final Quarter is also inspiring, with a message that each of us will be remembered ultimately for two things: what we say and what we do. The fallout inevitably led to a backlash against the fallout, in a manner familiar to anybody whos cast a cursory glance at online comments sections, in which over-sensitivity is positioned as an existential threat. The cheers became boos as the crowds turned on him. [18][19], The documentary uses only archival footage and newspaper headlines from the last few years of Goodes' career, with no new interviews or footage. We'll update you with a release date when one is announced. Explores how to respectfully listen to and engage with Aboriginal and Torres Strait Islander peoples, histories and cultures. The result is a powerful film that holds a mirror to Australia and suggests we reconsider what happened on and off the football field. [23], The Final Quarter was shown to the 2019 playing group of Indigenous players in a preview screening in February 2019. 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The Final Quarter is a post-mortem of this dark period in Australian sporting and cultural history, comprised entirely of archival footage aired at the time. Concrete Playground acknowledges the Traditional Owners of the lands where we live, work and play, and across the lands we travel through. Project-specific support provided through Screen Australia's P&A Program only. The Final Quarter - Making An Archival Documentary - Media Arts - Years 9 & 10 Considering Social Action Students are given opportunities to apply their learning in real world situations, in the classroom, school, home or the local community. Adam Goodes, captain of the Sydney Swans, at the end of the 2012 AFL grand final at the MCG. I see a man down: booing and being Adam Goodes", "Proud Goodes stands by war cry celebration", "Adam Goodes booing: Gillon McLachlan calls for footy to get its respect back as captains of all 18 AFL clubs make plea to fans", "#istandwithadam: Social media campaign rallies for Sydney Swans star Adam Goodes", "Swell of support for Adam Goodes as Sydney Swans play Adelaide Crows at SCG", "Goodes reveals he almost retired after booing controversy", "Swans champion Adam Goodes calls it a day", "AFL says 'sorry' for not protecting Adam Goodes sooner from racist booing", "Retired Sydney Swans legend Adam Goodes would have been booed on grand final day, says Tim Watson", "Adam Goodes documentary sparks outpouring of remorse from AFL fans", "Ten to air Adam Goodes documentary, The Final Quarter", "AFL great Adam Goodes is being booed across Australia. Many Year 10-11 students openly admitted that it had changed their attitudes, and students have said the film empowered them to stand up to racism and helped them acknowledge it was damaging. To view more detail on relevant specialist units scroll down. Directors statement Shark Island Production. Narragunnawali: Reconciliation in Education (Reconciliation Australia). So, too, do the boos every time the player steps foot on the paddock, for more than sixteen weeks. Given that Adam Goodes retired in 2015, why do you think Shark Island Productions thought it important to share the Adam Goodes story with audiences four years later? When the football crowds turned on him, the Brownlow medallist left his beloved game. But this is not some dry academic exercise. Feedback to date also confirms the transformative nature of the film for students, as well as the powerful capability of the film as a tool for teachers to help their students understand racism and discrimination. [35] The Hawthorn players all wore number 37, Goodes' jersey number, during their warm ups before their match against Sydney on 21 June 2019 in a gesture of support.[28]. They specialise in creating documentaries that educate the public about important social issues. write an analysis based on the conventions of archival documentaries. Revelation Perth International Film Festival Inc, Distinctive storytelling for the big screen, Ambition, creativity, audience engagement, Quality, cultural value, innovation, diversity, Opportunities for First Nations storytellers, Insights into challenges facing the industry, International awards for Australian projects and people, Australian screenings at international festivals, International Pitching Events and Talent Labs, International Marketing Support: Festivals and awards, All Screen Australia production applications. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. Students will explore how the editor and director created mood and message for the audience, and appreciate how archival documentary can powerfully communicate public messages of importance. 0000000016 00000 n Students will gain an appreciation of the work of Shark Island Productions and the power of archival documentary to communicate public messages of importance. Subscribe for full access to The Hollywood Reporter, Ian Darling recaps the years-long media cycle that drove Indigenous sportsman Adam Goodes out of the limelight in 'The Final Quarter.'. The AFL issued an unprecedented and extraordinary response on the night of the films premiere, apologising for the treatment that Adam Goodes had experienced and for not doing enough. It was produced by Shark Island Looks at score and song writing, including analysing lyrics and musical elements. 0000007932 00000 n These should help both aspiring and professional cinematographers create the most impactful and engaging films and music videos. [32], The Go Foundation reported that it had received several messages from members of the public who had seen the documentary and wanted to express their remorse for having booed Goodes.[20]. During the last three years of his career, Goodes was named Australian of the Year, accused of staging for free kicks, and performed an on-field war dance celebration. As the name suggests, The Final Quarter focuses on the last stages of Goodes' time in the AFL when he was verbally attacked by spectators and high-profile media figures, relentlessly booed at games, put under immense scrutiny for celebrating his Indigenous heritage, accused of staging for free kicks and ultimately chose not to play for a period due to the toll he was under. 0000042939 00000 n The Final Quarter was made by Shark Island Productions, an independent film production company. If teaching in a context with a high proportion of Aboriginal and Torres Strait Islander children, it is imperative that guidance is sought from the Principal and Aboriginal Education Officer (or equivalent) prior to screening the film. Goodes took indefinite leave from the game in August of the 2015 season. 0000071725 00000 n Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of Indigenous footballer Adam Goodes' playing career. In addition, new educational resources will be released. Screenwriters: Mark Monroe, Ian Darling See a snapshot of media articles here: Additional assets have had high engagement including 944 Screening Guide downloads. Specialist lessons will achieve the best results when THE FINAL QUARTER documentary is introduced as atopic across the curriculum. | Michael Safi", "Watching Goodes film was like a punch to the face", "Acclaimed Adam Goodes Doco 'The Final Quarter' Will Hit TV Screens Next Month", "Adam Goodes: The Final Quarter film set to air on Channel 10 in July", "The Final Quarter review exhilarating Adam Goodes documentary pulses with urgency", "The exhilarating Adam Goodes documentary The Final Quarter is a must-see", "goodes-documentary-a-film-for-all-including-those-who-booed-him-20190530-p51ssm.html", "syd-film-fest-review-the-final-quarter-records-shameful-treatment-of-adam-goodes-258190", "AFL apologises unreservedly for failures over racism faced by Adam Goodes", "Club statement: 'The Final Quarter' documentary", https://en.wikipedia.org/w/index.php?title=The_Final_Quarter&oldid=1102231855, Documentary films about Australian rules football, All Wikipedia articles written in Australian English, Short description is different from Wikidata, Rotten Tomatoes template using name parameter, Creative Commons Attribution-ShareAlike License 3.0, 2019 Best Reporting of an Issue in Sport (Winner), 2019 Best Documentary Feature, Asian Academy Creative Awards: Grand Final winner (World) and Regional Winner (Australia and New Zealand), 2019 Best Editing in a Documentary - Sally Fryer (Winner), 2019 Best Editing in a Documentary Feature - Sally Fryer (Winner) Australian Screen Editors Ellie Awards, 2019 Best Sound in a Documentary (Nominee) Australian Screen Sound Guild, This page was last edited on 4 August 2022, at 01:34. 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